Faig Ahmed

Hurvin Anderson

Scott Anderson

Fabio Lattanzi Antinori

Michael Armitage

Luke Armitstead

Lello // Arnell

Francis Bacon

Cornelia Baltes

Simon Belleau

Joshua Bilton

Alison Blickle

Benjamin Brett

Andrew Brischler

Carla Busuttil

Scott Carter

James Clarkson

Mikey Cook

Kevin Cooley

Elizabeth Corkery

Daniel Crews-Chubb

Øystein Dahlstrøm

Blake Daniels

Fleur Van Dodewaard

Tomory Dodge

Antoine Donzeaud

Zavier Ellis

Amir Fattal

Madeline Von Forerster

Robert Fry

Anthony Goicolea

Jonny Green

Pablo Griss

Eckart Hahn

Felicity Hammond

Byzantia Harlow

Neil Harrison

Clinton Hayden

Colleen Heslin

Oliver Hickmet

Aaron Holz

Edward Hopley

Gary Hume

Christoffer Joergensen

Tamara K.E

Olivier Kosta-Thefaine

Olaf Kuhnemann

Bruce LaBruce

Janneke Van Leeuwen

Tomáš Libertíny

Gijs Van Lith

Tom Lovelace

Kate Lyddon

Nigel Massey

Roberto & Renato Miaz

Jenny Morgan

Ryan Mosley

Benjamin Murphy

Jose Carlos Naranjo

Regina Nieke

Sarah Pager

Selma Parlour

Yelena Popova

Martine Poppe

Lou Ros

Alan Sastre

Sebastian Schrader

Andrew Sendor

Dominic Shepherd

Pawel Sliwinski

Berndnaut Smilde

Evren Sungur

Shaan Syed

Alexander Tinei

Kristian Touborg

Luke Turner

Alain Urrutia

Dan Voinea

Mathew Weir

Jack West

Jonathan Zawada

Scott Carter

Inquire about this work

In situ image (2015)
In situ image (2015)
Installation View, 'The Shape of Things', Beers Contemporary Feb-April, 2014
Detail, 'The Shape of Things', Beers Contemporary Feb-April, 2014
Detail, 'The Shape of Things', Beers Contemporary Feb-April, 2014
Vases I-III, plasterboard, variable dimensions
Departing from the Rules of Harmony (2011), drywall, galvanised steel studs, dimensions variable
A Temporary Engagement (2011), drywall, dimensions variable
Scott Carter is influenced by the experience of living amongst mass produced materials, spaces and objects that are inherent in contemporary architecture and design. His work manifests as immersive installations and interactive objects that facilitate subtle shifts in value and attempt to redefine utility in relation to everyday experiences. His practice parallels contemporary discourse in art, design, architecture and sound. In short, Carter's process is undoubtedly unique: upon entering the exhibition space, Carter's methods are both performative and sculptural: he reshapes the contemporary gallery space by literally excavating sections of the gallery drywall (or floor) and reconstructing a new sculpture or installation from those pieces. Carter's work is derived from a tactile sense for materials. Through the process of examining materials and their function, he attempts to assert alternate meaning in the built environment and through this act, reveals subtle idiosyncrasies that coincide with the physicality of domestic life. These interventions, ultimately, amount to concise, playful and creative critiques of the way we experience space and the items that inhabit them.

SCOTT CARTER (b. 1984, United States) received his MFA in Sculpture from the School of the Art Institute of Chicago in 2011 where he was the first recipient of the Eldon Danhausen Fellowship for Sculpture. He previously spent six years as an emerging artist and student in Atlanta, Georgia where he received his BFA in Painting from the Atlanta College of Art/Savannah College of Art and Design, Atlanta. Scott recently attended two funded residencies at the Vermont Studio Center in Johnson, Vermont and the Ox Bow School of Art in Saugatuck Michigan. Selected solo shows are The Nature of Being, Pinnacle Gallery, Savannah, Ga (2015) , Zero Point Field, Evanston Art Centre, Evanston, Il (2013); Force Majeure, Linda Warren Projects, Chicago, Il (2012) and in 2011 he completed a solo exhibition entitled Affect/Effect at the Contemporary Art Center of Las Vegas. He has been part of several group exhibitions Somewhere Else, Urban Institute of Contemporary Art, Grand Rapids, Mi (2012); Plural Zone, School of the Art Institute of Chicago, Columbus Building Chicago, Il (2012). In 2013 he was the first place winner of the Beers Contemporary Emerging Artist Award in sculpture. He also participated and performed in the 2013 CAFKA Biennial and Open Ears Sound Festival in Kitchener/ Waterloo Canada.

Scott Carter is influenced by the experience of living amongst mass produced materials, spaces and objects that are inherent in contemporary architecture and design. His work manifests as immersive installations and interactive objects that facilitate subtle shifts in value and attempt to redefine utility in relation to everyday experiences. His practice parallels contemporary discourse in art, design, architecture and sound. In short, Carter's process is undoubtedly unique: upon entering the exhibition space, Carter's methods are both performative and sculptural: he reshapes the contemporary gallery space by literally excavating sections of the gallery drywall (or floor) and reconstructing a new sculpture or installation from those pieces. Carter's work is derived from a tactile sense for materials. Through the process of examining materials and their function, he attempts to assert alternate meaning in the built environment and through this act, reveals subtle idiosyncrasies that coincide with the physicality of domestic life. These interventions, ultimately, amount to concise, playful and creative critiques of the way we experience space and the items that inhabit them.

SCOTT CARTER (b. 1984, United States) received his MFA in Sculpture from the School of the Art Institute of Chicago in 2011 where he was the first recipient of the Eldon Danhausen Fellowship for Sculpture. He previously spent six years as an emerging artist and student in Atlanta, Georgia where he received his BFA in Painting from the Atlanta College of Art/Savannah College of Art and Design, Atlanta. Scott recently attended two funded residencies at the Vermont Studio Center in Johnson, Vermont and the Ox Bow School of Art in Saugatuck Michigan. Selected solo shows are The Nature of Being, Pinnacle Gallery, Savannah, Ga (2015) , Zero Point Field, Evanston Art Centre, Evanston, Il (2013); Force Majeure, Linda Warren Projects, Chicago, Il (2012) and in 2011 he completed a solo exhibition entitled Affect/Effect at the Contemporary Art Center of Las Vegas. He has been part of several group exhibitions Somewhere Else, Urban Institute of Contemporary Art, Grand Rapids, Mi (2012); Plural Zone, School of the Art Institute of Chicago, Columbus Building Chicago, Il (2012). In 2013 he was the first place winner of the Beers Contemporary Emerging Artist Award in sculpture. He also participated and performed in the 2013 CAFKA Biennial and Open Ears Sound Festival in Kitchener/ Waterloo Canada.