ATOI

Dale Adcock

Faig Ahmed

Hurvin Anderson

Scott Anderson

Fabio Lattanzi Antinori

Michael Armitage

Luke Armitstead

Lello // Arnell

Francis Bacon

Cornelia Baltes

Simon Belleau

Joshua Bilton

Alison Blickle

Benjamin Brett

Andrew Brischler

Carla Busuttil

Scott Carter

James Clarkson

Mikey Cook

Kevin Cooley

Elizabeth Corkery

Daniel Crews-Chubb

Øystein Dahlstrøm

Blake Daniels

Fleur Van Dodewaard

Tomory Dodge

Antoine Donzeaud

Zavier Ellis

Amir Fattal

Madeline Von Forerster

Ruth Freeman

Robert Fry

Anthony Goicolea

Jonny Green

Pablo Griss

Eckart Hahn

Felicity Hammond

Byzantia Harlow

Neil Harrison

Clinton Hayden

Colleen Heslin

Oliver Hickmet

Aaron Holz

Edward Hopley

Gary Hume

Christoffer Joergensen

Tamara K.E

Olivier Kosta-Thefaine

Olaf Kuhnemann

Bruce LaBruce

Janneke Van Leeuwen

Tomáš Libertíny

Gijs Van Lith

Tom Lovelace

Kate Lyddon

Nigel Massey

Roberto & Renato Miaz

Holly Mills

Jenny Morgan

Ryan Mosley

Benjamin Murphy

Jose Carlos Naranjo

Regina Nieke

Sarah Pager

Selma Parlour

Yelena Popova

Martine Poppe

Tony Romano

Lou Ros

Maja Ruznic

Alan Sastre

Sebastian Schrader

Andrew Sendor

Dominic Shepherd

Pawel Sliwinski

Berndnaut Smilde

Evren Sungur

Shaan Syed

Struan Teague

Alexander Tinei

Kristian Touborg

Luke Turner

Alain Urrutia

Dan Voinea

Mathew Weir

Jack West

Jonathan Zawada

Jonni Cheatwood

Inquire about this work

“I Think I Got a Hip Pointer” (2017), Oil, oil stick, acrylic, spray paint, enamel, fabric, found flour sack and thread on canvas, 198x198cm
“Cant Swing It, Lost All My Monies at the Horse Races” (2017), Oil, dye, acrylic, spray paint, enamel, burlap fabric and thread on canvas, 173x140cm
“As We Were Sitting in the Backseat of the Car Listening to Jamiroquai, I Had an Epiphany” (2017), Oil, oil stick, acrylic, spray paint, enamel, fabric and thread on canvas, 191x150cm
“I’m Thriving Here” (2017), Oil, acrylic, silkscreen ink, spray paint, enamel, found salt sack and thread on canvas, 151x99cm
“High Thread Count, Low Word Count” (2017), Acrylic, enamel, burlap, fabric, found flour sack and thread on canvas, 244x183cm
“Who You Think You Got? Chelsea Clinton?” (2016), Oil, oil stick, acrylic, spray paint, enamel, burlap & thread on canvas, 222x144cm
“You Ever, Ya Know… Do the Yuma Shuffle?” (2016), Oil, oil stick, acrylic, spray paint, enamel, alkyd and thread on canvas, 163x130cm
“Cant Swing It, Lost All My Monies at the Horse Races” (2017), Oil, dye, acrylic, spray paint, enamel, burlap fabric and thread on canvas, 173x140cm
“You Ever Seen Meteor Man?” (2016), Oil, oil stick, acrylic, enamel and spray paint on canvas, 160x120cm 63 x 47.25 inches
“Kirby Kempo, Kingpin at Large” (2015), Oil, oil stick, acrylic, spray paint, enamel, found burlap bean sack and thread on canvas, 155x127cm
Jonni Cheatwood  is a Brazilian-American visual artist working across many different disciplines including painting, photography, graphic design and fashion. Cheatwood’s work describes the broad visual ideas stemming from still life, abstraction and minimalism. The graffiti-like scribbles, scratches and primitive colours of Cheatwood’s work is the controlled chaotic work of an erudite, expressionist. Beginning with direct marks, squiggles and doodles Cheatwood reacts and builds compositions over time, working with the studio and the detritus that can build up as a result of working on the floor. Intuitively embracing, repeating and then responding to the marks, both intentional and accidental, that can occur all the while drawing on references to still life, interactions of color, text and graffiti Cheatwood stitches together an autobiographical reflection of his perceived experience of the city in which he lives.

JONNI CHEATWOOD [b. 1986, Thousand Oaks, CA]  graduated from Arizona State University. Solo Exhibitions include: ‘Strange To Meet You’, Tappan, LA (2017) and ‘Don’t Lift Your Heroes Up So High’, Palabra, Phoenix (2015). Selected group exhibitions include: ‘Pop-Up at the Refinery’, Mika Gallery, New York (2017) and ‘Rema Hort Foundation’, Nicodim Gallery, LA (2017) and he will be exhibiting with BEERS in his first group exhibition with the gallery, entitled, '75 Works of Paper' in London, UK. Cheatwood currently lives and works in LA. 

 

Jonni Cheatwood  is a Brazilian-American visual artist working across many different disciplines including painting, photography, graphic design and fashion. Cheatwood’s work describes the broad visual ideas stemming from still life, abstraction and minimalism. The graffiti-like scribbles, scratches and primitive colours of Cheatwood’s work is the controlled chaotic work of an erudite, expressionist. Beginning with direct marks, squiggles and doodles Cheatwood reacts and builds compositions over time, working with the studio and the detritus that can build up as a result of working on the floor. Intuitively embracing, repeating and then responding to the marks, both intentional and accidental, that can occur all the while drawing on references to still life, interactions of color, text and graffiti Cheatwood stitches together an autobiographical reflection of his perceived experience of the city in which he lives.

JONNI CHEATWOOD [b. 1986, Thousand Oaks, CA]  graduated from Arizona State University. Solo Exhibitions include: ‘Strange To Meet You’, Tappan, LA (2017) and ‘Don’t Lift Your Heroes Up So High’, Palabra, Phoenix (2015). Selected group exhibitions include: ‘Pop-Up at the Refinery’, Mika Gallery, New York (2017) and ‘Rema Hort Foundation’, Nicodim Gallery, LA (2017) and he will be exhibiting with BEERS in his first group exhibition with the gallery, entitled, '75 Works of Paper' in London, UK. Cheatwood currently lives and works in LA.