ATOI

Dale Adcock

Faig Ahmed

Hurvin Anderson

Scott Anderson

Fabio Lattanzi Antinori

Michael Armitage

Luke Armitstead

Lello // Arnell

Francis Bacon

Cornelia Baltes

Simon Belleau

Joshua Bilton

Alison Blickle

Benjamin Brett

Andrew Brischler

Carla Busuttil

Scott Carter

Jonathan Chapline

James Clarkson

Mikey Cook

Kevin Cooley

Elizabeth Corkery

Øystein Dahlstrøm

Blake Daniels

Fleur Van Dodewaard

Tomory Dodge

Antoine Donzeaud

Zavier Ellis

Amir Fattal

Madeline Von Forerster

Ruth Freeman

Anthony Goicolea

Jonny Green

Pablo Griss

Eckart Hahn

Felicity Hammond

Byzantia Harlow

Neil Harrison

Clinton Hayden

Colleen Heslin

Oliver Hickmet

Aaron Holz

Edward Hopley

Gary Hume

Christoffer Joergensen

Tamara K.E

Olivier Kosta-Thefaine

Olaf Kuhnemann

Bruce LaBruce

Janneke Van Leeuwen

Tomáš Libertíny

Gijs Van Lith

Tom Lovelace

Kate Lyddon

Nigel Massey

Roberto & Renato Miaz

Holly Mills

Jenny Morgan

Ryan Mosley

Benjamin Murphy

Jose Carlos Naranjo

Regina Nieke

Sarah Pager

Selma Parlour

Yelena Popova

Martine Poppe

Tony Romano

Lou Ros

Maja Ruznic

Alan Sastre

Sebastian Schrader

Andrew Sendor

Dominic Shepherd

Pawel Sliwinski

Berndnaut Smilde

Evren Sungur

Shaan Syed

Struan Teague

Alexander Tinei

Kristian Touborg

Luke Turner

Alain Urrutia

Dan Voinea

Mathew Weir

Jack West

Jonathan Zawada

Jonny Green

Inquire about this work

'Jazz Hands' (2014), oil on canvas on panel, 55x50.5cm
'Babel', (2013), oil on canvas on panel, 145x122cms
'The First Cut Is The Deepest' (2014), oil on canvas on panel, 88x122cm
'Don't Let Your Youth Go to Waste' (2014), oil on canvas on panel, 122x158cm
'Mr. Christmas' (2013), oil on canvas on panel, 75x90cm
'Bottom Feeder' (2014), oil on canvas on panel, 21x17cm
'Mistress' (2014), oil on canvas on panel, 21x15cm
'The Rt Hon' (2014), oil on canvas on panel, 50x40cm


Jonny Green makes paintings of sculptures… Mad-men rendered crudely in plastine and electrical tape or abject-looking re-animated brains adorned with filthy paper flowers and grubby clockwork parts. Each depicted object/character seems to be demanding recognition and validation from the viewer in spite of their manifest flaws, they seem to be trying to adorn themselves in an attempt to make their appearance more palatable. In contrast to the gleeful, almost slapdash making of the sculptures, their subsequent rendering in paint is meticulous. Green explains this approach as ‘an attempt to dignify and document or give testament to something that seemingly lacks dignity or a voice’. The resulting paintings are both still-life and portrait, animate and inanimate. As viewers we experience a kind of cognitive dissonance as we are simultaneously attracted and repelled by them at the same time.

JONNY GREEN (b. 1966 North Yorkshire) graduated from the Royal College of Art with a Masters degree in Fine Art (painting). In the years immediately following art school the artist exhibited extensively both in England and the US, including representing England for the F.I.A.R. Art Prize, an international touring exhibition of the most promising young painters from several different countries. After a break from painting of nearly ten years (during which time he wrote, recorded and released 5 major label albums, toured the world as a musician, wrote 2 short movie soundtracks ((produced by Spike Jonze)) and had his songs used for numerous TV ads), Jonny returned to painting. Recent exhibition highlights have included a museum show ‘Beastly Hall’ at Hall Place in Kent alongside Carsten Höller and Damien Hirst as well as the Nanjing International Art Show in China. In 2015, his exhibitions included Ambiguous Practices-Still Life, Aberystwyth University Gallery, Wales and Collection of Small Paintings, The Contemporary, London along with exhibiting as part of Beers Contemporary’s annual Contemporary Visions V exhibition, London, UK.

 

 



Jonny Green makes paintings of sculptures… Mad-men rendered crudely in plastine and electrical tape or abject-looking re-animated brains adorned with filthy paper flowers and grubby clockwork parts. Each depicted object/character seems to be demanding recognition and validation from the viewer in spite of their manifest flaws, they seem to be trying to adorn themselves in an attempt to make their appearance more palatable. In contrast to the gleeful, almost slapdash making of the sculptures, their subsequent rendering in paint is meticulous. Green explains this approach as ‘an attempt to dignify and document or give testament to something that seemingly lacks dignity or a voice’. The resulting paintings are both still-life and portrait, animate and inanimate. As viewers we experience a kind of cognitive dissonance as we are simultaneously attracted and repelled by them at the same time.

JONNY GREEN (b. 1966 North Yorkshire) graduated from the Royal College of Art with a Masters degree in Fine Art (painting). In the years immediately following art school the artist exhibited extensively both in England and the US, including representing England for the F.I.A.R. Art Prize, an international touring exhibition of the most promising young painters from several different countries. After a break from painting of nearly ten years (during which time he wrote, recorded and released 5 major label albums, toured the world as a musician, wrote 2 short movie soundtracks ((produced by Spike Jonze)) and had his songs used for numerous TV ads), Jonny returned to painting. Recent exhibition highlights have included a museum show ‘Beastly Hall’ at Hall Place in Kent alongside Carsten Höller and Damien Hirst as well as the Nanjing International Art Show in China. In 2015, his exhibitions included Ambiguous Practices-Still Life, Aberystwyth University Gallery, Wales and Collection of Small Paintings, The Contemporary, London along with exhibiting as part of Beers Contemporary’s annual Contemporary Visions V exhibition, London, UK.