Adébayo Bolaji, is a multi-disciplinary artist living and working in London, England. At the centre of his practice is the dialogue of change and the focus of the individual within a connecting society whether that be anthropological, religious, historical or popular culture. The use of the vibrant and metaphorical language, is a crucial element in his work, helping to narrate a different story within each painting allowing for the viewer to take an active role in the works. Bolaji has exhibited internationally in London and Zurich, with artist residencies in New York and Margate, including an Artist Residency with Yinka Shonibare MBE Guest Projects.
Adebayo Bolaji (b. 1983, London) lives and works in London and graduated from the Central School of Speech and Drama. Solo exhibitions include, ‘Topia: A Reinvention of the Self’, Serena Morton Gallery, London (2019); ‘Babel’, Galerie Proarta, Zurich (2019) and ‘Rituals of Colour’, Public Gallery, London (2018). Group Exhibitions include, ‘Optimistic: The Power of Now’, Serena Morton Gallery, London (2018) and ‘New Contemporary V Old’, Galerie Proarta, Zurich (2017). Bolaji is a multidisciplinary artist who has also trained as a Lawyer, Actor and Writer.
Striking in both colour and composition, Haitian-American artist Milo Matthieu’s works are collages built with layers of paint and paper. Originally having studied photography, his experimentations with pre-existing images as source-material open up new realms of possibility for the artist; aside from a process that permits his works to grow organically, the use of readymade imagery allows him to pay homage to artists who have come before. The resulting works are hybridized, almost Frankensteinian, often textural and three-dimensional, especially when viewed from oblique angles. These are works that seem to come alive as the viewer moves around them, bringing to the fore a sense of vitality and energy referencing a manic expressionism and sense of materiality. Each piece is dense with texture the inclusions of textiles and collage, perhaps suggesting the formation of identity as ‘a sum of parts’. Each artist is also inherently influenced by the city that surrounds them, creating organic compositions that – not unlike Picasso and Bracques style of Cubism, that constantly evolves over time, reshaping with each movement and each visitor before them. Furthermore, for Matthieu, race becomes a dominant issue and relevant factor within the work, where words like ‘COLORED’ are scribbled across the canvas, or representations of African Americans as vaudeville-like or with ‘Golliwog’-type smiles glimmer from starkly black backgrounds. Inspired by music, from doo-wop to contemporary rap, the artist’s sense of musical-awareness and movement flows through the works with a kind of urban sysnesthesia. On one hand, a reference like Kandinsky does not seem entirely displaced, but the work houses such a contemporary, young, even ‘cool’ appearance that they seem to cull from different eras of history, culture, and identity – which is probably not totally unlike Matthieu as a young black man living and working from Brooklyn, creating work for a society consumed by rapid-succession imagery, a culture of ‘Instagrammable’ material, and a proliferation of inspirations, resources, and influences.
MILO MATTHIEU (b. 1990, Los Angeles, USA) lives and works in Brooklyn, New York. After graduating university with a degree in photography, he has exhibited his works nationally and internationally. Recent exhibitions include: ‘Summer Fling’, Kravats Wehby, New York (2019), ‘Rum Room New York, Dean Collection’, Dream Midtown, New York (2018); ‘Beauty in the Unknown’, Medium Tings, New York (2018); ‘Av-Ve-Rez, Myuz Unveiling’, PRVT VW, New York (2018); ‘Danger To Society’, Sincerely, Tommy, New York (2018); and ‘Volume A’, Colonia Nova, Berlin, Germany (2017). In September 2019, Milo exhibited at Expo Chicago with BEERS London alongside Jonni Cheatwood.