There is a real sense of joy and buoyancy to the works of Moldovan artist Ksenia Dermenzhi. Despite the unbridled energy emanating from these paintings, the London-based artist displays a mastery over her technique that belies her youth. Seeming to borrow from the free-form approach of the Blau Reiter period, her paintings similarly utilize a broad language of abstraction, including traditions known by Surrealist and Cubist artists. Or perhaps a 20th Century formalism is at work: allusions to artists like Cy Twombly, de Koonig, or Lee Krasner, where frenetic energy suggests a sense of form, or psychological states. Her dynamic and frontal compositions are built up over time through colour-washes and painterly spills, intentional marks as well as organic expressions of paint. True abstraction is a difficult technique to ‘get right’: Picasso himself was well documented as saying it took a lifetime to paint ‘like a child’, and Dermenzhi’s large-scale floral and abstract paintings seem to house that chaotic, childlike energy. Perhaps most astute is her similarity to the great Kandinsky, whose paintings were a direct response to music, and likewise, Dermenzhi’s works show a masterful control of freedom, spontaneity, and considered mark-making. The works are simultaneously based around real and imagined floral arrangements, always harkening to some sense of realism, but allowing for a sense of play, joy, and fantasy.
KSENIA DERMENZHI (b. 1995, Moldova) currently lives and works in London. Dermenzhi studied at the Academy of Music, Theatre, and Fine Arts in Chișinău, completing her studies in painting in 2019. Prior to this Dermenzhi studied at the College of Fine Arts in Chișinău completing her studies in Fine Art & Painting in 2015. Dermenzhi has participated in exhibitions in London, Moldova and Beirut.