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ANDREW SALGADO: A ROOM WITH A VIEW OF THE OCEAN

Past exhibition
29 June - 20 August 2017
  • Works
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Works
Open a larger version of the following image in a popup: ANDREW SALGADO, Forever (Yesterday, Today, Tomorrow), 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Sunset (Good Morning Beautiful, I Waited All Night Long), 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Seven Suns, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Ocean (Pretty Boys With Tears Like Grapes), 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, A Sailboat for Kory, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Transfiguration (Yellow), 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Soft Cage, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Flowers after Matisse (For Tabita), 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Dusk, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Dawn, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Vigil, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Field Test, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Sad Eyes, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Moon, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Morning (Bacchus in Chains), 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Palms, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, My Tired Soul Just Wants To Rest In the Ocean, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, A Doorway, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Sandro Like Matisse, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Pink Flowers After Uglow, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Pet Shop Boy, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Pink Bari, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Palms, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Barikhalique, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Piss And Vinegar, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Moonlight, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Flowers After Tal R, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Looking Out From The Inside III, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Lemon At The Disco, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Flowers After Matisse, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Looking Out From The Inside II, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, A Window, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Yellow Flowers After Matisse, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Untitled Saaatanic South Kens Lying Cunt Fake Tooth Nouveau Riche Prat, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Accidental Flowers Call For Artists, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Turtle Island, 2017
Open a larger version of the following image in a popup: ANDREW SALGADO, Sunday Night Art Club, 2017
  • ANDREW SALGADO, Forever (Yesterday, Today, Tomorrow), 2017

  • ANDREW SALGADO, Sunset (Good Morning Beautiful, I Waited All Night Long), 2017

  • ANDREW SALGADO, Seven Suns, 2017

  • ANDREW SALGADO, Ocean (Pretty Boys With Tears Like Grapes), 2017

  • ANDREW SALGADO, A Sailboat for Kory, 2017

  • ANDREW SALGADO, Transfiguration (Yellow), 2017

  • ANDREW SALGADO, Soft Cage, 2017

  • ANDREW SALGADO, Flowers after Matisse (For Tabita), 2017

  • ANDREW SALGADO, Dusk, 2017

  • ANDREW SALGADO, Dawn, 2017

  • ANDREW SALGADO, Vigil, 2017

  • ANDREW SALGADO, Field Test, 2017

  • ANDREW SALGADO, Sad Eyes, 2017

  • ANDREW SALGADO, Moon, 2017

  • ANDREW SALGADO, Morning (Bacchus in Chains), 2017

  • ANDREW SALGADO, Palms, 2017

  • ANDREW SALGADO, My Tired Soul Just Wants To Rest In the Ocean, 2017

  • ANDREW SALGADO, A Doorway, 2017

  • ANDREW SALGADO, Sandro Like Matisse, 2017

  • ANDREW SALGADO, Pink Flowers After Uglow, 2017

  • ANDREW SALGADO, Pet Shop Boy, 2017

  • ANDREW SALGADO, Pink Bari, 2017

  • ANDREW SALGADO, Palms, 2017

  • ANDREW SALGADO, Barikhalique, 2017

  • ANDREW SALGADO, Piss And Vinegar, 2017

  • ANDREW SALGADO, Moonlight, 2017

  • ANDREW SALGADO, Flowers After Tal R, 2017

  • ANDREW SALGADO, Looking Out From The Inside III, 2017

  • ANDREW SALGADO, Lemon At The Disco, 2017

  • ANDREW SALGADO, Flowers After Matisse, 2017

  • ANDREW SALGADO, Looking Out From The Inside II, 2017

  • ANDREW SALGADO, A Window, 2017

  • ANDREW SALGADO, Yellow Flowers After Matisse, 2017

  • ANDREW SALGADO, Untitled Saaatanic South Kens Lying Cunt Fake Tooth Nouveau Riche Prat, 2017

  • ANDREW SALGADO, Accidental Flowers Call For Artists, 2017

  • ANDREW SALGADO, Turtle Island, 2017

  • ANDREW SALGADO, Sunday Night Art Club, 2017

ANDREW SALGADO, Forever (Yesterday, Today, Tomorrow), 2017

Overview
Installation Image
Installation Image

Note: this exhibition is taking place at Lauba Art House in Zagreb, Croatia and not at BEERS in London.

 

Following a recent survey exhibition at the Gallery at the Canada Embassy in Trafalgar Square embassy in London, and sell-out shows internationally, Canadian (London-based) artist Andrew Salgado and Beers London gallery announce huge solo show in Croatia, entitled A Room With a View of The Ocean, is as much a bold leap into conceptual art as it is a firm reminder of his prowess and skill as one of the UK’s leading young figurative painters.

 

I need to be alone. I need to ponder my shame and my despair in seclusion; I need the sunshine and the paving stones of the streets without companions, without conversation, face to face with myself, with only the music of my heart for company.
– Henry Miller, Tropic of Cancer

 

Following his November solo exhibition The Snake, which allowed Salgado to shed his artistic skin and reputation for creating thematically-heavy art, A Room With a View of the Ocean has enabled him to undertake a more crude and abstract approach to his art-making. Capitalising on Lauba Art House’s considerable 13,000sqft space, the narrative includes nearly 70 individual artworks, created over the course of seven months, including a variety of site-specific installations designed by the artist himself to showcase his work. The installation unfolds as a journey through four distinctive chambers, painted in bold colours, extending beyond a 360-degree set. The resulting environment is created as a slightly hallucinogenic, immersive multimedia landscape, complete with furniture, video projection, and ethereal soundscapes.

 

Salgado’s sprawling spatial statements engulf the viewer. The mode is participatory and of course included are Salgado’s instantly recognizable bold portrait paintings, which see the artist wholly and intuitively embracing textile-art to include hand-dyed and hand-stitched canvas as a structural and formative technique. In his essay E Unibus Pluram, David Foster Wallace argues toward an after-post-postmodernism, wherein the detached ironic stance taken by the post-modernists would be replaced with a “new sincerity” characterized by artists willing to work against the too-coolness, the “nudged ribs and rolled-eyes” risk accusations of sentimentality, melodrama, or overcredulity. Salgado is one such artist, exhibiting an endless fascination with how we can experience and interact with something tangible and emotive. As our desire for provenance and knowledge of how something is created or grown increases, immersion becomes a physical and virtual connection between two worlds. The large-scale paintings in the first chapter feature canvases lovingly and laboriously hand-stitched by the artist. Salgado also hand-dyes his own materials, made his own chaise lounge, which he wants the viewers to perch on, as well as encouraging the viewers to push the paintings that swing from the rafters, or peek through their many ‘see-through’ parts.

 

The viewer will then move through to the second and third phases, through both a lemon-yellow and “midnight-blue” room, where Salgado will present his first-ever works on paper as well as sculpture and the aforementioned furniture, which manifests as a “lemon-yellow patchwork sofa”. In the penultimate room, Salgado has painted 24 individual copies Albert Camus’ seminal novel The Outsider, a book which itself has two titles and lends itself to conflicting political transatlantic interpretations. Perhaps most interesting is the artists recreation of ‘an ocean’ at the climax of the exhibition, complete with artificial beach and sun-loungers, as well as an 8m projection of the ocean, created by Salgado off the Western Cape of South Africa.

 

A Room with a View of the Ocean sees the artist eager to challenge both our expectations of figurative art and also what we come to expect from a single body of work by a solo artist. But the title refers to a sense of peace – aspiring towards calm – both personal and professional.

 

As the word ‘immersive,’ along with ‘creative’, starts to lose its meaning through overuse, Salgado summarises what he wants the beholder to experience. “It’s simple really,” he says in a one sentence explanation. “I want them to feel like they’re inside the work.”

 


 

ANDREW SALGADO (b. 1982, Regina, Canada) lives and works in London, England. He graduated with an MA in Fine Art from Chelsea College of Art and Design in 2009, and a BFA from University of BC, Vancouver, in 2005. Forthcoming solo exhibitions include: How to Build a Boat, Angell Gallery, Toronto (October 2018). Selected previous solo exhibitions include: Dirty Linen & The Nihilist’s Alphabet, Christopher Moller Gallery, Cape Town (2018), A Room with a View of the Ocean, Lauba Art House, Zagreb (2017); TEN, Gallery of the Canadian High Commission, London (2017); and The Fool Makes a Joke at Midnight, Thierry Goldberg, New York (2016). Salgado was the subject of the 2015 documentary Storytelling, and was featured in the 2014 publication ‘100 Painters of Tomorrow’ (Thames & Hudson). He has been featured widely in the press, including GQ, The Evening Standard, The Independent, Artsy, and Metro. Salgado’s solo showings with BEERS London include Storytelling, London (2014); and The Snake, London (2016). He curated the group show The Fantasy of Representation at BEERS London in 2015, and was part of the group exhibitions 75 Works on Paper (2017); O Canada! (2017); and 35 Works on Paper (2016).

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  • A Room With A Few Of The Ocean (2017) Read more

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