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DEBORAH SEGUN: HOW TO FALL IN LOVE

Past exhibition
5 December 2021 - 15 January 2022
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Works
Open a larger version of the following image in a popup: DEBORAH SEGUN, Ever Present, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, Safe Haven, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, Self Soothing, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, It's Called Growth, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, Strong Mind, Fragile Heart, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, Sweet Turmoil, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, My Forever Companion, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, A Little Kindness, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, All In A Day's Rest, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, Fighting Shame, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, Familiar Touch, 2021
Open a larger version of the following image in a popup: DEBORAH SEGUN, There's Always Time For Rest, 2021
  • DEBORAH SEGUN, Ever Present, 2021
  • DEBORAH SEGUN, Safe Haven, 2021
  • DEBORAH SEGUN, Self Soothing, 2021
  • DEBORAH SEGUN, It's Called Growth, 2021
  • DEBORAH SEGUN, Strong Mind, Fragile Heart, 2021
  • DEBORAH SEGUN, Sweet Turmoil, 2021
  • DEBORAH SEGUN, My Forever Companion, 2021
  • DEBORAH SEGUN, A Little Kindness, 2021
  • DEBORAH SEGUN, All In A Day's Rest, 2021
  • DEBORAH SEGUN, Fighting Shame, 2021
  • DEBORAH SEGUN, Familiar Touch, 2021
  • DEBORAH SEGUN, There's Always Time For Rest, 2021
DEBORAH SEGUN, Ever Present, 2021
Overview
Installation Imagery / Photo credit Damian Griffiths
Installation Imagery / Photo credit Damian Griffiths

I didn’t give myself a chance to fall in love with myself because I didn’t think she was deserving of it.

– Deborah Segun

It is often said that our personal reference to self-love is both met and restrained by those things we love the least about ourselves. Nigerian artist Deborah Segun questions this in How to Fall in Love, her debut solo exhibition with the gallery; and her first outing in the UK. Here, the Lagos-based young painter questions how we begin to accept that which we have never fully loved?

 

Love is meant to be an innate feeling – it comes easily when we look at others, the natural world, those things extrinsic to us. But these external factors and influences also shape us, mold, and meld us into the multifaceted and complex persons we are today. None of us are one-dimensional, we struggle to fully explicate our relationships to others,  to ourselves.

 

In this regard, Segun’s newest ‘body’ of work deals with that exactly: The Body. Just as art imitates life, she is at the crossroads of establishing a recognizable artistic style, (including representation by both BEERS London and Athens renowned The Breeder gallery,) at the same time she is “redefining [her] own beauty.”

 

Life, art, self, each is a process, a journey, and just as her art evolves, so too does she find herself in transformative states as an individual – both outwardly but also, less evidenced, inwardly. In that respect, the works seem to house a subtle series of languid forms, peeking from behind shapes, gestures delicately or boldly revealing their truths. There is secrecy here, too; the suggestions of a young woman growing into herself at the same time a nascent (and international) artistic career reveals itself.

 

She speaks of herself in the third person: “she slowly separates from her past self but knows that little bits of her will always be present, but there is an understanding that I will be kinder to her when she visits.” One requires knowledge to be able to fully love something; and as viewers, the beauty of these works is the subtle, unfurling moments of joy and revelation the artist has allowed to share with us. “I don’t just want to exist, I want to be present and in tune with myself. She has been kind enough to give me life and I must reciprocate this kindness.”

 

Dear viewers, such allowance is something we can all remind ourselves, and remember, once in a while, how to fall in love.

 

 

DEBORAH SEGUN (b. 1994, Nigeria) lives and works in Lagos, Nigeria. She obtained a degree in Fashion Design at the Polimoda Institute of Fashion Design and Marketing in Florence, Italy in 2017.

 

Solo exhibitions include: Where Is My Mind?, BEERS London (2023); You Keep Going Through It, I’m Just Coming Back From It, Breeder Gallery, Athens, Greece (2022); The Little Things I Need to Make Me Whole, ADA Gallery, Accra, Ghana (2022); How To Fall In Love, BEERS London, (2021); Being Free, SMO Contemporary Art Gallery, Lagos, Nigeria (2020); Play as Collective, AWCA, ArtxLagos Art Fair, Lagos, Nigeria (2019); Still Life Art Oja, Lagos, Nigeria (2019) and; I Feel Like I Am, Relate Africa, Lagos, Nigeria, (2019).

 

Group exhibitions include: Eparapo, The Working Girls Forum, A Whitespace Creative Agency, Lagos, Nigeria (2019);   Art Oja Portfolio II, Miliki, Lagos, Nigeria (2018); Family & Friends, Wafflesncream, Lagos, Nigeria (2018) and; Polimoda Performance Art & Fashion Show, Florence Italy (2017).

 

Art Fairs include: Frieze London (2021); Frieze New York, NY (2021); Armory New York, NY (2021); Frieze Los Angeles, LA (2021); 1-54 Contemporary African Fair, London, (2021); FIAC Paris (2021) and; Affordable Art Fair, Lagos, Nigeria (2019).

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  • How To Fall In Love (Dec. 2021) Read more

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